Introduced as a stern but caring guardian for Lara early on, it's revealed that Miller's machinations have been steering Lara toward giving up power of attorney and total control over the Croft family's many, many business interests. The disappearance of Lara's father, his imprisonment on the island, and the fate/control of his entire estate, actually rests with one person: Kristin Scott Thomas' Ana Miller. It's fan service, nothing more.Īs for Croft's revelation of the identity of Trinity's leader, the person who was in contact with Goggins' Mathias Vogel throughout the picture and for years before its events, that's a little trickier. So despite never picking up a gun for the entire film, her decision to buy not one but two massive "9mm with extended mag" pistols at the movie's end is more in service to the classic Lara Croft from the video games than anything inherent to this movie's take on the mythology. Uthaug even takes the time to let Vikander's Croft come to grips with the first death (by execution) she sees on the island, and the first death of a man by her own hands that's rare in action fare. Vikander's slight size and stature is honestly represented on screen as her version of Lara is forced to use her entire body to take out would-be assailants, at least until she upgrades to a bow and arrow and, later, her famous climbing axe. Throughout the course of this adventure, Lara uses her athleticism, fighting skills, and archery expertise in order to subdue mercenaries and defeat the major antagonist, played with cold, calculated precision by Walton Goggins. The secondary twist is that moviegoers get to see Lara participate in a surprisingly fun bit of sport with her fellow bike messengers that feels more like a spiritual sequel to Premium Rush than an aspect of Tomb Raider, but it was delightful. The twist here is most similar to the latest iteration of Lara's early life that sees her opting to forgo her inheritance and easy-going lifestyle in order to pay her way and really experience life. Though her origin stories have changed quite a bit over the last 20 years or so, Lara is often the daughter of an aristocratic family and is orphaned in a variety of ways: plane crash, mysterious disappearances during archaeological expeditions, and presumed suicides. This is a two-fold twist on the typical version of Lara we're used to. Surprisingly, we're introduced to Lara as a bike messenger in London, a down-on-her-luck young adult who's struggling to make ends meet in the modern world. In order to understand where Lara Croft ends up at the film's conclusion, it's important to know where she starts in this picture.
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